Among the many chord progressions at the opening of famous tunes is the one known to traditional jazz musicians as the SWEET SUE PROGRESSION.
It begins on the Dominant 7th, with the Tonic as the next chord. (Often this pattern is then repeated before further developments.) To put it simply, if you’re in the key of C, you begin these tunes on G7th (usually two bars) and then move on to C.
It begins on the Dominant 7th, with the Tonic as the next chord. (Often this pattern is then repeated before further developments.) To put it simply, if you’re in the key of C, you begin these tunes on G7th (usually two bars) and then move on to C.
This progression is very useful when composers fancy bouncing back and forth between the dominant and the tonic. It is simple and therefore popular with improvisers.
Examples:
Examples:
Absolutely Positively
April Showers
April Showers
Auf Wiedersehen
Avalon
Black Bottom Stomp [final strain]
Blue Chime Stomp [2nd theme]
Dallas Rag
Do What Ory Say
Dallas Rag
Do What Ory Say
Gatemouth
His Eye Is On The Sparrow
His Eye Is On The Sparrow
I'm Blue and Lonesome, Nobody Cares for Me
I Wish I Could Shimmy Like My Sister Kate
I Wish I Could Shimmy Like My Sister Kate
Jealous
Louisiana
Martinique
Miss Annabelle Lee
Martinique
Miss Annabelle Lee
My Life Will Be Sweeter Some Day
Pretty Baby
Pretty Baby
Say Si Si
So Do I
South [second strain]
Sweet Sue
That’s A Plenty [final strain]
Up Jumped the Devil
Way Down Yonder In New Orleans
Way Down Yonder In New Orleans
Willy The Weeper [second strain]
Winin’ Boy Blues
It is also the basis of several tunes known as 'Stomps'.