Post 390: JAZZ IN LUNCH HOURS! AS IN DERBY.....

Why don't more clubs, pubs and venues put on traditional jazz in the LUNCH hours? After all, our audiences are mostly retired, elderly people who heartily enjoy going out for a good reasonably-priced lunch at a place where they can also be entertained by some music.

Many of them have told me this is better for them than going to jazz clubs that operate till late at night. They are simply unhappy about having to walk or drive home at around midnight. 

Well, I'm pleased to report that the message is getting across here in the English Midlands. I know of six pubs providing lunchtime jazz.

Let me give you the story behind a successful example.

In the beginning, there was a defunct building (The Coronation Hotel) for sale in Baker Street, Alvaston. This is on the south-eastern edge of the great city of Derby. Here's how it looked from the back:

The hotel was acquired in 2015 by The Steamin' Billy Brewing Co. Ltd., which then renamed it simply as The Coronation and carried out an extensive re-furbishment. Here's the front entrance as it appears today. It has a decent-sized car park.

Here is one of the bars:

Excellent food and drinks are available at reasonable prices.

The stone-baked pizzas are a speciality:

Best news of all, though, is that the management strongly supports traditional jazz. They invited Dave Harmer (the popular trombonist and manager of Leicester's New Orleans Hot Shots) to bring along some of his friends every Wednesday lunchtime to play for the diners.

So, starting on Wednesday, 9 December 2015, Dave provided a quartet.

Word soon got round and the audience grew to a good size, with quite a few 'regulars'. And there has been traditional jazz from 12.30pm until 2.45pm at The Coronation every Wednesday since then. 

If you would like to sample the music at The Coronation, CLICK HERE or CLICK ON HERE. In this latter, Dave himself provides the vocal. Better still, if you live in the Derby region, why not go along on Wednesday for some free traditional jazz and maybe have a good lunch too?
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Important Footnote: I can confirm that, from 19 March 2020, the jazz lunch-hours at this pub have been discontinued because of the corona virus pandemic.

Post 362: 'EVERYBODY LOVES MY BABY'

That spirited song Everybody Loves My Baby is in the repertoire of most traditional jazz bands. It is one that has stood the test of time. Why? Because it has a neat, memorable, repetitive melody, making clever use of a minor chord and its related major. The words are appealing and easy to learn. It even has a far better verse than many of the popular songs of its time.

Everybody Loves My Baby was composed in 1922 by Jack Palmer and Spencer Williams. Looking at a copy of the original piano sheet music, I'm impressed at how faithfully today's bands keep to the original, even many decades later. This is something rarely achieved!

I think it is partly because most musicians know the lyrics; and those lyrics fix in our minds the correct notes of the tune.

We find that Williams and Palmer published it in the key of G (with much use of the related E minor chord). Our jazz bands tend to prefer the key of F (with D minor), because this is easier for tuning and fingering.

The original sheet music offers an eight-bar Introduction and a couple of bars or repeatable 'patter' before the Verse. We now tend to discard these. But we play the 16-bar Verse (I'm as happy as a king, feelin' good 'n' ev'rything) pretty much as written.

The Chorus has a standard  A - A - B - A structure, with the A Sections dominated by that 'Minor' flavour.

The 'Middle Eight' is very effective, with the repeated, stuttering, notes (mainly on the tonic, though with changing chords beneath them.)

And the tune ends well.

'Fine,' you say. 'But is there any chance of hearing a really great band such as Tuba Skinny playing this tune?'

Yes, there is! It's on YouTube and we must be grateful to that excellent video-maker codenamed WildBill for putting it there. It's a storming performance (in the key of F). Shaye sets a cracking pace and is on her very best form, both in playing and in directing the traffic (note the Chorus in which she trades fours with Barnabus). Erika provides the vocal. There's even the bonus of Ben Polcer playing superbly on piano. In this version, they have chosen to omit the Verse, but who cares about that? CLICK HERE TO VIEW IT.

Post 55: A VIDEO TO CHALLENGE ASSUMPTIONS

Here are ten assumptions.

1. A traditional jazz band can not function properly if it has more than eight musicians. WRONG.

2. You won't find a traditional jazz band with three young ladies among its musicians. WRONG.

3. You should never have a saxophone in a traditional jazz band. WRONG.

4. The violin is NOT an instrument to be played in a traditional jazz band. WRONG.

5. The only places for a traditional jazz band to be enjoyed are a club and a concert hall - NOT the street. WRONG.

6. The world of traditional jazz is full of very old people, so traditional jazz is dying out. WRONG.

7. Young players of traditional jazz? It would be hard to find many. WRONG.

8. All members of a band should wear a matching, smart uniform.  WRONG.

9. Traditional jazz should be taken very seriously. WRONG.

10. You should never have a clarinet AND a saxophone together in a band. WRONG.

That indefatigable video-maker codenamed RaoulDuke504 - for whom we should all be eternally grateful - has put up another video on YouTube. It illustrates all the above. I hope you will share my enjoyment. By the way, the lady singer - I am told (thanks, John Whitehorn!) - was Tamar Korn from New York. You can find her elsewhere on YouTube. I guess she happened to be passing by. She joined in with the band just for this one song:

Click here to view it.