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Showing posts with label 'Side by Side'. Show all posts
Showing posts with label 'Side by Side'. Show all posts

26 May 2017

Post 511: 'SIDE BY SIDE' AND THAT MOST COMMON OF MIDDLE EIGHTS

Yesterday I was playing Side by Side and I couldn't help noticing that its middle eight chord structure was just the same as the most common and simple structure found in so many other of our tunes. It offers a really good demonstration of the effectiveness of the 'Circle of Fifths'.

A few examples of other tunes with the same pattern are:
Do Your Duty
Five Foot Two, Eyes of Blue
Girl of My Dreams
Give it Up
Hometown
I Can't Believe That You're in Love With Me
Into Each Life Some Rain Must Fall
Please Don't Talk About Me When I'm Gone
Stevedore Stomp

To begin with, the Middle Eight's first chord is III7 (for example A7th in the key of F). This happens in the Middle Eight of dozens of our tunes.

And over the eight bars, we find two bars on each of the 'Circle of Fifth' chords as we head towards the usual V7th.

To make clear what I am trying to explain, the result (in the key of F) is:

A7 | A7 | D7 | D7 | G7  | G7 | C7 | C7

How does it sound? Surprisingly effective, in this and a huge number of other tunes our bands play.

Side by Side was composed in 1927 by the great Harry Woods. Words were provided by Gus Kahn.

For an interesting performance of the tune, CLICK HERE.

The Middle Eight starts at 48 seconds.

7 March 2015

Post 182: 'THAT'S ALL THERE IS! THERE AIN'T NO MORE!; AND THE GREAT HARRY WOODS

I guess that the song That's All There Is! There Ain't No More used to be popular with traditional jazz bands wishing to end their concert in a rousing but definitive way. I've made my own leadsheet of it. To my ear it seems to go like this.
If I'm right, it's a great one to play: taking it fairly fast, you can make it sound exciting and the a-a-b-a  structure with simple chord pattern lends itself easily to improvisation.

I think the tune was composed in 1925 by the great Harry (Henry MacGregor) Woods, who was also responsible for The Clouds Will Soon Roll By, I Wish't I Was in Peoria, I'm Looking Over a Four-Leaf Clover, Paddlin' Madeleine Home, River Stay Away From My Door, Side By Side, Try a Little Tenderness, We Just Couldn't Say Goodbye, When the Red Red Robin, When The Moon Comes Over the Mountain and When Somebody Thinks You're Wonderful.

What a CV!

What a phenomenal contribution he made to popular music and the repertoire of traditional jazz bands!

Harry lived from 1896 until 1970. He worked mainly in New York. What you may not know is that - from birth - the unfortunate chap had no fingers on his left hand.