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Showing posts with label French Quarter. Show all posts
Showing posts with label French Quarter. Show all posts

12 December 2017

Post 577: FEBRUARY IN NEW ORLEANS

I'm looking back on my brief visit to New Orleans last February and, with the help of my photographs, would like to share with you some of the pleasures and memories.

First, some lovely sights.
Next, the flavour of the French Quarter.
As usual, it was a great privilege to be able to video some fine bands playing in Royal Street.
And I had the chance to meet and photograph some of the great musicians whose work I have long admired from 4500 miles away on YouTube. They included Molly Reeves.
I had the pleasure of making a new friend among the musicians - saxophonist Marty Peters.
And it was a great thrill renewing friendship with Marla Dixon and Haruka Kikuchi.
I told Haruka in 2015 that I was adopting her as my grand-daughter, so she now greets me as 'Grandad'!

If you have never seen the storming performance of Royal Garden Blues that I filmed in 2015 (in which Haruka and Marla both play), may I recommend it as a treat?
And this February, as usual, I made time for an occasional stroll by the mighty Mississippi.
I decided this would be my 'farewell' visit to New Orleans. In my old age, and currently being treated for a couple of medical conditions, common sense tells me the 4500-mile journey is too strenuous to undertake any more. But looking at these pictures makes me want to be right back there. I wonder whether I shall be able to make it one more time?

24 June 2017

Post 520: WHERE IS DECATUR STREET? IN NEW ORLEANS?

Have you heard Decatur Street Blues? I expect you have. If not, you can enjoy a lively 1922 performance of it made by Leonia Williams and Her Dixie Band BY CLICKING HERE.

Leonie was a native of New Orleans and her 'Dixie Band' comprised five musicians, - Phil Napoleon on trumpet, Frank Signorelli on piano, Miff Mole on trombone, Johnny Costello on clarinet, and Jack Roth on drums.

The song was composed in 1922 by Tausha 'Tosh' A. Hammed and Clarence Williams, with words by Mercedes Gilbert.

I thought until today that the title of the song referred to Decatur Street in New Orleans. (By the way, they pronounce it Di - CAYY - ter, with the stress on the second syllable.) This is one of the favourite roads of every visitor to the French Quarter - this road, in fact:
But today, giving close attention to the words of the song, I found it's actually Decatur Street in Atlanta, Georgia! We're even told to hear a gentleman called Eddie Heywood 'whip those ivories' down 'at eighty-one'. This would be the Atlanta jazz pianist Eddie Heywood, whose son - also called Eddie Heywood - became even more famous and ran a sextet in the 1940s.

I guess the scene has changed beyond recognition since Eddie played there.
Decatur Street, Atlanta - today.

28 January 2017

Post 471: ADVICE FOR VISITORS TO NEW ORLEANS

You're planning a holiday in New Orleans? It will be your first time there? Great. You will love it.
The best way to get around in the French Quarter, where most of the jazz is to be heard, is on foot. The entire French Quarter is small - only about half a square mile in total. However, until you get used to it, be careful how you tread on those pavements (sidewalks), because - as at 2017 - there were still thousands of fractures and fragmentations awaiting repair.
My friend and keen video-maker James Sterling from Florida has visited New Orleans much more often than I have; and he has asked me to pass on his own recommendations. He says you should get out of the French Quarter occasionally, particularly by using the St. Charles Streetcar which will quickly take you to the Garden District, with its stately mansions, hotels and restaurants, as well as the fine Audubon Park and Zoo. Then there is Magazine Street. You can visit it while in the Garden District. It is lined with quirky shops, pubs and eateries and is just a five-block walk from the streetcar line. That is a very good tip - not one that many people would think of.

And James enjoyed the World War II Museum in the Warehouse District, just up-river from the French Quarter. In addition to the displays, it has a theatre with live revues of music from the WWII era.

James says he goes to New Orleans for the food as much as for the music. He says: 'There are too many excellent restaurants in NOLA to list but my favourite is Coquette on the corner of Magazine and Washington in the Garden District.' He also mentions Brennans for a great brunch, and Coop's Place, Johnny's Po-Boys, The Gumbo Shop, and The Central Grocery for excellent reasonably-priced food. Café Envie in Decatur Street is good for pastries, coffee and breakfasts.

For a place to stay, James likes the many bed-and-breakfast inns. He says: 'You will get a private room usually in an old mansion with personal service from the inn-keeper and will meet new friends around the breakfast table. For rooms at reasonable prices (for NOLA) I recommend The Richelieu, Hotel Provincial, LaMothe House, and The Frenchmen Hotel (get a room in the back away from the street noise).'

There are indeed plenty of hotels and other forms of accommodation. Imagine you stay at a hotel in Burgundy Street, somewhere near the junction with St. Ann Street. It will be a mere 5-minute walk to Preservation Hall, or 12 minutes to the Palm Court Jazz Café.

It will take you only a quarter hour to walk to Frenchmen Street, which is just beyond the French Quarter at its north-eastern edge; and there in the evenings (and some afternoons) you will find such great bars and clubs as the dba, The Maison and The Spotted Cat, where some wonderful bands regularly play.

From 11 a.m. daily, you will be able to hear great busking groups if you head to Royal Street (five minutes on foot from your hotel).
Buskers in Royal Street
You will of course enjoy sampling all the other amazing things the French Quarter has to offer, including, as Jim says, plenty of fine eating places. You must have a stroll by the Mississippi – maybe heading down to the Riverwalk Shopping Mall, which I like very much. On the way to it, you could visit the Audubon Aquarium of the Americas. On another day, head left alongside the river to a different kind of shopping experience – the famous and massive French Market.
The French Market
Of course you will dawdle among the artists in Jackson Square (where there is usually also some lively jazz busking).
And you may visit special events at The Mint, or take rides on the streetcars to the Garden District .
Or go to the huge City Park, or have a river trip on the Natchez. Or you might care to cross the River on the ferry to Algiers.
The Mississippi and New Orleans
Maybe you will go on one of those 'Bayou' tours or a 'Cemetery' tour (easily bookable - you will see them widely advertised. James particularly recommends the Lafayette Cemetery just one block south of St. Charles Avenue). This is well worth doing on your first visit.

My advice would be to give the garish and vulgar Bourbon Street only a few minutes of your time. I suppose it's worth seeing, if only to convince yourself that such a street really exists. And you will hardly be able to avoid it, as it's right there in the centre of the French Quarter. But if you are a serious traditional jazz fan, there are far better places to be.

But please don't take me as authoritative. I live 4500 miles from New Orleans and have been to the City only seven times during the last 30 years, so (even with help from James) I don't claim to be an expert. I am simply giving you a few personal impressions that may be of some use.

On my first visit, when I was about 50 years old, I spent most evenings at Preservation Hall. I heard such players as Harold Dejan, Milton Batiste, Narvin Kimball, Percy Humphrey, Willie Humphrey, Danny Barker, Frank Demond, Kid Sheik Colar and the very young Greg Stafford. But in recent years I have spent my evenings in the bars and clubs of Frenchmen Street to catch the exciting new generation of great bands that have evolved in New Orleans since Hurricane Katrina.

A couple of further points:

1. Transport between the aerodrome and the City Centre (about 15 miles) is easy. There are plenty of taxis. And some hotels run shuttle services. Recently a taxi cost 40 dollars (including tip) for a single trip. But there is also a regular bus service (the Jefferson E.2 Transit) which is efficient and remarkably cheap (about a couple of dollars), which I have also used. Obviously get up-to-date timetables from the internet.

2. When is the best time to go? All the year round there is good jazz. However, bear this point in mind: in June, July and August it can be extremely hot – maybe too hot for comfort. Even some of the musicians make this the time of year when they head north and tour in cooler States, or fly to other continents to play at festivals. The French Quarter Festival (in April) is recommended as there is an organised programme with dozens of bands giving free concerts on temporary stages in many of the streets. However, bear in mind that the crowds can be huge and you may have the disappointment of not being able hear your favourite bands in the best possible conditions.
Jackson Square during the French Quarter Festival

Also, unsurprisingly, hotel prices tend to be quite a bit higher during festivals. So you may prefer to go at a 'quieter' time when you will be able to spend your evenings in the clubs, hearing your favourite bands in conditions that are acoustically better and less crowded.

2 July 2016

Post 412: BRAIN TEASER

Recently I offered you this brain-teaser sent in by James Sterling of Florida. 
-----------------

Ivan,

I began a mind game with myself recently trying to list all of the traditional jazz song titles with New Orleans street and place names. The thought occurred that this might make a good brain-teaser for your blog. 


So far I have come up with:
Bourbon Street (Parade)
South Rampart Street (Parade)
Franklin Street (Blues)
Gravier Street (Blues)
Basin Street (Blues) (Stomp)
Burgundy Street (Blues)
Canal Street (Blues)
Perdido Street (Blues)
Bienville (Blues)
Storyville (Blues)
Milneburg (Joys)
West End (Blues)
St. James Infirmary
(Relaxing at ) The Touro
James
-----------------------------------------------------------------
Well, here are some more that have been sent to me by blog readers. I'm not declaring a 'winner', though I must say the number of John Whitehorn's contributions amazed me!

Pontchartrain (Blues) - from John Whitehorn, Robert Duis, Jim Buck, Paul Morris and Barrie Marshall
(Sailing on) Lake Pontchartrain from Barrie Marshall
Algiers (Strut) - from John Whitehorn, Marinus-Jan Van Langevelde, Jim Buck, Paul Morris and Barrie Marshall
Algiers (Bounce) - from John Whitehorn
Astoria (Strut)- from John Whitehorn
Back 'o Town Blues - from John Whitehorn, Jim Buck and Paul Morris
(Blues for) Rampart Street - from John Whitehorn
(Moon Over) Bourbon Street - from Paul Morris
Congo Square - from John Whitehorn
Conti Street Parade from Barrie Marshall and from John Whitehorn
Dauphine Street (Blues) from John Whitehorn, Marinus-Jan Van Langevelde, Robert Duis and David Withers
Decatur Street (Blues) - from Robert Duis and Jim Buck and Barrie Marshall
Dumaine Street (Drag) - from John Whitehorn
Dumaine Street (Blues) - from Jean-Luc Rivier 
(Farewell to) Storyville - [aka Good Time Flat Blues] - from John Whitehorn and Paul Morris
French Market (Blues) [Tony Parenti]- from John Whitehorn
Gallatin Street (Grind)- from John Whitehorn
La Harpe Street Blues from John Whitehorn, Jim Buck
Mahogany Hall (Stomp) from John Whitehorn, Chris Rule and Barrie Marshall
House of the Rising Sun (?Well - O.K.) from Barrie Marshall 
Mississippi Mud (?Well - O.K.) - from Robert Duis
North Rampart Street (March) - from John Whitehorn
Bucktown Blues - from Robert Duis
Perdido Street (Stomp) - from Paul Morris
Red Onion (Drag) - from John Whitehorn
Red Onion (Blues) - from John Whitehorn
Tin Roof (Blues) from John Whitehorn and from Jim Buck
Toulouse Street (Lament) - from John Whitehorn
Toledano Street Blues - from John Whitehorn
Tulane (Swing) from John Whitehorn and from Bob Wright 
St. Philip Street (Breakdown) - from Henry Kiel, Marinus-Jan Van Langevelde, Susan Enefer and David Withers and Barrie Marshall and John Whitehorn