Welcome, Visitor Number

Translate

Showing posts with label 'Take My Hand Precious Lord'. Show all posts
Showing posts with label 'Take My Hand Precious Lord'. Show all posts

22 February 2018

POST 601: 'ROCK ME'; AND A BEREAVEMENT

Here's a sad tale. In 1932, Nettie Dorsey, the wife of Thomas A. Dorsey,  died in childbirth; and two days later their new-born son died too.

In his grief, Thomas A. Dorsey composed Precious Lord, Take My Hand - a tune which remains popular with traditional jazz bands to this day.
Thomas Andrew Dorsey
Who was Dorsey? Not to be confused with Tommy Dorsey (1905 - 1956), the famous trombonist and band-leader, he was always known as Thomas A. Dorsey. He lived from 1899 to 1993.

Thomas A. Dorsey was already well-known at the time of his wife's death. He was an established blues pianist, band-leader and composer. He had performed as 'Georgia Tom'. He had a hit record in 1928 with It's Tight Like That. His band had accompanied Ma Rainey. He founded the first black gospel music publishing company. He was in later life to be considered the Father of Black Gospel Music. 

A gospel number for which he is also specially known is the 1937 composition Peace in the Valley.

But what prompts me to tell you all this is that I listened earlier today to Erika Lewis singing Rock Me on Tuba Skinny's first album - the album simply called 'Tuba Skinny' and issued in 2010. Rock Me was made famous when it was recorded by Sister Rosetta Tharpe in 1938; but the song was originally composed by Thomas A. Dorsey under the title Hide Me In Thy Bosom.

Rosetta sang it in the key of Bb; Tuba Skinny prefer Ab.

You can hear Rosetta's recording BY CLICKING HERE.

To hear Erika Lewis singing the song in the early days of Tuba Skinny, you should buy the album. But if you would like to see a live version, filmed as long ago as 2010, CLICK HERE.  At the time, Tuba Skinny was in its infancy and still had no reed player; but you can hear a wonderful little solo chorus from Shaye Cohn at 2 minutes 20 seconds  that foretells the greatness to come.

We have to thank the video-maker codenamed digitalalexa for recording this early performance.

I decided to try playing Rock Me on my keyboard and trumpet. What I then discovered is that it is a 32-bar tune (you could consider it as a 16-bar Verse with a 16-bar Chorus). Also, I found the first 16 bars have virtually the same simple chord progression as the second 16 bars. Moreover, all four sets of eight bars begin with The Magnolia Chord Progression [ I  -  I7  -  IV  -  IVm ].

The Magnolia Chord progression is found at the beginning of so many of the tunes we play. Other examples are:

After My Laughter Came Tears 
Mississippi River Blues 
Brown Skin Mamma 
Carolina Moon 
Cherry Red 
'Deed I Do 
Does Jesus Care? 
Girl of My Dreams 
If I Had You 
I'll See You in the Spring
I May Be Wrong But I Think You're Wonderful 
I'm Gonna Meet My Sweetie Now 
I'm Putting All My Eggs in One Basket 
In the Upper Garden 
I Want a Little Girl to Call My Own 
I Would Do Most Anything for You
Lonesome Road 
Louisiana Fairytale 
Magnolia's Wedding Day 
My Mother's Eyes 
Old Rocking Chair 
Red Sails in the Sunset
Rolling Round the World 
Show Me The Way To Go Home
Stevedore Stomp [final strain] 
When the Swallows Come Back to Capistrano
You Were Only Passing Time With Me

1 October 2017

Post 553: THE THREE-CHORD TRICK

Everyone who is learning to play jazz should know about 'the three-chord trick'.

What are the three chords? They are the tonic, the dominant seventh and the sub-dominant – the very three chords beginners need to learn first. They are almost certainly the chords you will most frequently use in your career.

It is possible to accompany some songs – particularly blues, folk tunes and spirituals – by using only the three chords. Of course, this is sometimes just a lazy way of keeping things simple. You blank out any subtle and transitional chords and stick with the three easiest chords. But the truth is that most members of your audience will hardly notice.

So in the Key of C, they would be
C (Major)
G (7th)
F (major)
A very basic 12-bar blues might well follow this pattern:
   C | C | C | C | F | F | C | C | G7 | G7 | C | C 

That pattern started with the Blues of the Deep South and eventually became the basis of rock’n’roll.

Here’s an example of the three-chord trick applied to a complete tune. This is Stephen Foster’s Way Down Upon the Swanee River: 

One of the most exciting tunes that requires only three chords is Dallas Rag. It is amazing to find what a great band such as Tuba Skinny can do with simple three-chord material. Click on this video to see what I mean:

And here is 'Sing On', composed and recorded in the 1920s by the great New Orleans band leader Sam Morgan. It can be played perfectly well using only three chords. In the key of G, they are of course G, D7th and C.

And here's one from the wonderful website provided for us all by Lasse Collin:
Other examples of tunes that can be satisfactorily played with only three chords include Pass Me Not O Gentle Saviour,  Mama InezNearer My God to Thee, the old Mississippi gospel number Mary Wore a Golden Chain and Take My Hand, Precious Lord.