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Showing posts with label Gospel songs. Show all posts
Showing posts with label Gospel songs. Show all posts

22 February 2018

POST 601: 'ROCK ME'; AND A BEREAVEMENT

Here's a sad tale. In 1932, Nettie Dorsey, the wife of Thomas A. Dorsey,  died in childbirth; and two days later their new-born son died too.

In his grief, Thomas A. Dorsey composed Precious Lord, Take My Hand - a tune which remains popular with traditional jazz bands to this day.
Thomas Andrew Dorsey
Who was Dorsey? Not to be confused with Tommy Dorsey (1905 - 1956), the famous trombonist and band-leader, he was always known as Thomas A. Dorsey. He lived from 1899 to 1993.

Thomas A. Dorsey was already well-known at the time of his wife's death. He was an established blues pianist, band-leader and composer. He had performed as 'Georgia Tom'. He had a hit record in 1928 with It's Tight Like That. His band had accompanied Ma Rainey. He founded the first black gospel music publishing company. He was in later life to be considered the Father of Black Gospel Music. 

A gospel number for which he is also specially known is the 1937 composition Peace in the Valley.

But what prompts me to tell you all this is that I listened earlier today to Erika Lewis singing Rock Me on Tuba Skinny's first album - the album simply called 'Tuba Skinny' and issued in 2010. Rock Me was made famous when it was recorded by Sister Rosetta Tharpe in 1938; but the song was originally composed by Thomas A. Dorsey under the title Hide Me In Thy Bosom.

Rosetta sang it in the key of Bb; Tuba Skinny prefer Ab.

You can hear Rosetta's recording BY CLICKING HERE.

To hear Erika Lewis singing the song in the early days of Tuba Skinny, you should buy the album. But if you would like to see a live version, filmed as long ago as 2010, CLICK HERE.  At the time, Tuba Skinny was in its infancy and still had no reed player; but you can hear a wonderful little solo chorus from Shaye Cohn at 2 minutes 20 seconds  that foretells the greatness to come.

We have to thank the video-maker codenamed digitalalexa for recording this early performance.

I decided to try playing Rock Me on my keyboard and trumpet. What I then discovered is that it is a 32-bar tune (you could consider it as a 16-bar Verse with a 16-bar Chorus). Also, I found the first 16 bars have virtually the same simple chord progression as the second 16 bars. Moreover, all four sets of eight bars begin with The Magnolia Chord Progression [ I  -  I7  -  IV  -  IVm ].

The Magnolia Chord progression is found at the beginning of so many of the tunes we play. Other examples are:

After My Laughter Came Tears 
Mississippi River Blues 
Brown Skin Mamma 
Carolina Moon 
Cherry Red 
'Deed I Do 
Does Jesus Care? 
Girl of My Dreams 
If I Had You 
I'll See You in the Spring
I May Be Wrong But I Think You're Wonderful 
I'm Gonna Meet My Sweetie Now 
I'm Putting All My Eggs in One Basket 
In the Upper Garden 
I Want a Little Girl to Call My Own 
I Would Do Most Anything for You
Lonesome Road 
Louisiana Fairytale 
Magnolia's Wedding Day 
My Mother's Eyes 
Old Rocking Chair 
Red Sails in the Sunset
Rolling Round the World 
Show Me The Way To Go Home
Stevedore Stomp [final strain] 
When the Swallows Come Back to Capistrano
You Were Only Passing Time With Me

8 August 2016

Post 424: 'ROYAL TELEPHONE'

F M Lehman
Royal Telephone is a gospel song often played by traditional jazz bands. It appears to have been first recorded by a jazz band in 1946.

It is attractive because it has a simple, pleasant tune on which it is easy to improvise.

I have noticed that most bands play it comfortably in the key of Bb and that they seem to treat it as a sixteen-bar melody. At its simplest, they follow this chord sequence:-

Bb  |  Bb  |  Bb  |  F7  |  F7  |  F7  |  F7  |  Bb

Bb  |  Bb  |  Bb7 | Eb  |  Eb  |  Bb  | F7 |  Bb

I doubt whether many musicians today know that Royal Telephone was written in 1919 by Frederick Martin Lehman, an America immigrant from Germany. His piano music is available on the internet.

I noticed that it is really necessary to treat the song as a 32-bar, with 16 as 'Verse' and 16 as 'Chorus'. There were originally five verses (The first beginning 'Central's never busy - always on the line') and the Chorus - repeated after each verse - comprises the 16 bars always beginning with the words 'Telephone to Glory, Oh what joy divine!'

The chords I have printed above match the Chorus (and that is probably why they are followed so rigidly by most traditional jazz bands). However, if you want to play the tune correctly and include a verse or two, you need to use the following VERY slightly different chord sequence for the verses.

Bb  |  Bb  |  Eb  |  Bb  |  F7  |  F7  |  F7  |  Bb
Bb  |  Bb  |  Bb7 | Eb  |  Eb  |  Bb  | F7 |  Bb

To see what I mean and to hear a really clear performance of the song, complete with vocal, listen to the version by Burl Ives on YouTube by clicking here. But note that he begins with the Chorus before singing the First Verse.

Footnote: Curiously, if you play Enjoy Yourself, It's Later Than You Think, you may find a remarkable similarity with Royal Telephone, at least in the chord progression.