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3 November 2015

Post 292: JACOB MILLER AND THE BRIDGE CITY CROONERS

It's always good to hear of another young band that is working hard to keep music alive. So let me pass on the news that Jacob Miller and the Bridge City Crooners have introduced themselves to me. Their average age (as at June 2016) is only 25. They were formed in 2012 and are based in Portland, Oregon. The band has appeared at festivals and is obviously popular with the young dance crowd.


This Band - as its name suggests - does not play conventional traditional jazz. It aims to blend a pinch of traditional jazz with other influences. In the manner of country music, there is considerable use of vocals. Mostly, Jacob Miller sings, with the rest of the band providing a rocking accompaniment (sometimes also singing). Try the band for yourself. This well-produced video provides an introduction to them: CLICK HERE TO VIEW.

The songs are slickly arranged and the musicianship good.

It's not meant to be the kind of music that calls for much collective improvisation; but individual players (such as the clarinet and trombone) show that they can improvise and decorate the music well when required.

A very professional 12-track CD made by the band has just gone on sale. It is entitled Pacific Ragtime.

I'm not a Facebook user (at my age time is too precious), but for those of you who are, Jacob tells me you can get more information about the band and the CD by looking at:

https://www.facebook.com/jacobmillermusic

Post 291: JAZZ FUNERALS

Everyone knows about the great jazz funerals in New Orleans. Bands of ten or so players make wonderful music on the way to the internment and again (happier music) after the burial.

I'm pleased to say the custom has caught on in a small way in England. I have been to half a dozen jazz funerals (sadly, mostly of jazz musicians) in the last ten years.



I had the privilege of playing at the funeral of a friend myself. Four of us made up this little band. There certainly weren't enough to do the job properly, but we did our best, playing the traditional tunes, such as 'Just a Closer Walk With Thee' and 'When the Saints Go Marching In'. And we tried to look the part. I wore my authentic hat, bought from Meyer in New Orleans.